博物馆里的非物质文化遗产保护实践探究——以陕北民歌博物馆为例
Practice of Protecting Intangible Cultural Heritage in Museums——Taking Northern Shaanxi Folk Song Museum as an Example
杨春祥1
作者信息
- 1. 泉州师范学院 音乐与舞蹈学院, 福建 泉州 362000
- 折叠
摘要
针对目前国内博物馆、非遗专题馆展陈中将"非遗"混同或从属于物质文化遗产、"活态性"理解为"动态性",或仅将"非遗"作为一种项目、一种技术、一种艺术展演的工具,只追求外在表现形式,忽略其真实的文化生境与内涵等问题.本文以陕北民歌博物馆为例,通过对该馆所秉承的文化整体观,活态化、立体化、现场化的展陈方式,以及对文化生境的还原与再现等内容的分析与阐释,以期对当下博物馆里的非遗展陈提供一些借鉴和启示性意义.
Abstract
At present,there are various issues in the exhibition of domestic museums and intangible cultural herit-age theme museums,such as confusing intangible cultural heritage with material cultural heritage,understanding"liveliness"as"dynamism",or regarding"intangible cultural heritage"as a project,a technology,or a tool for artistic performance,only pursuing external forms of expression,and ignoring its true cultural habitat and connota-tion.This article,taking Northern Shaanxi Folk Song Museum as an example,analyzes and explains its cultural ho-listic view,dynamic,three-dimensional and on-site exhibition methods,as well as the restoration and reproduc-tion of cultural habitats,in order to provide some references and inspirations for the current exhibition of intangible cultural heritage in museums.
关键词
陕北民歌/非遗博物馆/文化整体性/活态化/文化生境Key words
Northern Shaanxi folk song/intangible cultural heritage theme museum/cultural integrity/liveliness/cultural habitat引用本文复制引用
出版年
2024
NETL
NSTL
万方数据