首页|博物馆里的非物质文化遗产保护实践探究——以陕北民歌博物馆为例

博物馆里的非物质文化遗产保护实践探究——以陕北民歌博物馆为例

扫码查看
针对目前国内博物馆、非遗专题馆展陈中将"非遗"混同或从属于物质文化遗产、"活态性"理解为"动态性",或仅将"非遗"作为一种项目、一种技术、一种艺术展演的工具,只追求外在表现形式,忽略其真实的文化生境与内涵等问题.本文以陕北民歌博物馆为例,通过对该馆所秉承的文化整体观,活态化、立体化、现场化的展陈方式,以及对文化生境的还原与再现等内容的分析与阐释,以期对当下博物馆里的非遗展陈提供一些借鉴和启示性意义.
Practice of Protecting Intangible Cultural Heritage in Museums——Taking Northern Shaanxi Folk Song Museum as an Example
At present,there are various issues in the exhibition of domestic museums and intangible cultural herit-age theme museums,such as confusing intangible cultural heritage with material cultural heritage,understanding"liveliness"as"dynamism",or regarding"intangible cultural heritage"as a project,a technology,or a tool for artistic performance,only pursuing external forms of expression,and ignoring its true cultural habitat and connota-tion.This article,taking Northern Shaanxi Folk Song Museum as an example,analyzes and explains its cultural ho-listic view,dynamic,three-dimensional and on-site exhibition methods,as well as the restoration and reproduc-tion of cultural habitats,in order to provide some references and inspirations for the current exhibition of intangible cultural heritage in museums.

Northern Shaanxi folk songintangible cultural heritage theme museumcultural integritylivelinesscultural habitat

杨春祥

展开 >

泉州师范学院 音乐与舞蹈学院, 福建 泉州 362000

陕北民歌 非遗博物馆 文化整体性 活态化 文化生境

2024

榆林学院学报
榆林学院

榆林学院学报

影响因子:0.19
ISSN:1008-3871
年,卷(期):2024.34(1)
  • 4