徐则臣《北上》的运河文化书写
Writing of Canal Culture in Xu Zechen's Going North
李雪1
作者信息
- 1. 苏州大学 文学院,江苏 苏州 215123
- 折叠
摘要
徐则臣自小得水文化的滋养,随水而兴的情感浸润到作家的精神结构与作品的叙事美学之中.《北上》将大运河搬上舞台作为主角,不仅全面展示大运河的历史,叙述运河沿岸诸种风物、景物及水上人家的方方面面,而且以双线叙事揭示大运河的沧桑巨变与中国现代性转型之间的隐秘联系,呈现出作家对时代精神价值的严肃思考.因此,《北上》既延续着徐则臣以往对"大运河"与"世界"的关注,同时又超越了他以往的叙事藩篱,偏向于对文化的体认与省思.徐则臣正是以一条河的书写召唤着民族精神的再生,为现代社会发展提供丰富的启示意义.
Abstract
Xu Zechen has been nourished by water culture since childhood,and her emotion of rising with water has infiltrated into his spiritual structure and narrative aesthetics.Going North takes the Grand Canal onto the stage as the protagonist.It not only comprehensively displays the history of the Grand Canal,narrates all kinds of scenery,scenery and people along the canal,but also reveals the hidden connection between the vicissitudes of the Grand Canal and the transformation of China's modernity with the double-line narrative,showing the author's serious thinking about the spiritual value of the times.Therefore,Going North not only continues Xu Zechen's previous at-tention to the Grand Canal and the world,but also transcends his previous narrative barriers and tends to recognize and reflect on culture.It is Xu Zechen's writing of a river that calls for the regeneration of the national spirit and provides rich enlightenment for the development of modern society.
关键词
徐则臣/《北上》/大运河/文化书写/启示意义Key words
Xu Zechen/Going North/the Grand Canal/cultural writing/inspirational significance引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据