摘要
美学被称为感性学(Aesthetics),源自其核心关注点在于人类如何通过感官体验世界,特别是对美的事物的感知和欣赏,还关涉作为研究感性领域的学科,其感官知觉、情感和审美体验等特征,明显与逻辑推理、概念思维和科学知识有着显著差异.关于美的认识与体验,在美学本身的学科分支中,伴随人类社会发展,有了新的认知、界定,甚至流变.在科技与人文融合,跨学科已达成共识的当下,让传统文化的载体之一——中国传统器物在技术浪潮中更好阐释与呈现,不仅需要我们重新审视其历史起源带来的更新性问题,更需要重返它在哲学和人文学科中的核心地位,特别是技术缭绕语境下的朴素本质——感性在审美中扮演着至关重要的角色,它是个体体验和评价美的基本方式.
Abstract
Aesthetics or Asthetik is originally related to its core focus on how human beings experience the world through the senses,especially the perception and appreciation of things of beauty,but is also related to the discipline about the study of the perceptual field,the characteristics of sensory perception,emotion,and aesthetic experience,obviously significantly different from the logical reasoning,conceptual thinking and scientific knowledge.Regarding the perception and experience of beauty,in the disciplinary branches of aesthetics itself,along with the development of human society,there are new perceptions,defini-tions,and even developmental changes.Currently when technology and humanities are merging and interdisciplinarity has reached a consensus,allowing one of the carriers of our traditional culture,that is,traditional Chinese artifacts,to be better in-terpreted and presented in the technological wave not only requires us to revisit the updating issues brought about by its historical origins,but also needs to return to its central position in philosophy and the humanities,whose humble nature in the context of technology,that is,sensibility,plays a crucial role in aesthetics,and is the basic way for individuals to experience and evaluate beauty.
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