首页|华夏元图像的知识史考察——以龙凤图像为中心

华夏元图像的知识史考察——以龙凤图像为中心

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在中华传统文化体系中,龙、凤图像具有深刻的元图像内涵,具有自我指涉和自我言说性.从二者生成的知识史分析,龙凤之"象"与"像"之间存在着符号互构性,"像"衍生于"象",又反释"象",其二元互生的模式呈现了中华文化符号的社会建构性与深层文化逻辑,体现出中华物质生活与精神世界互构交融的逻辑内核.
An Intellectual Historical Examination of the Meta Image of Huaxia:Case Centred on Loong and Phenix
In the traditional Chinese cultural system,the images of loong and phoenix have profound meta-image connotations,which are self-referential and self-talking.Analyzed from the intellectual history of the generation of the two,there exists a sym-bolic interconstruction between the"image"and the"likeness"of loong and phoenix as the"likeness"is derived from the"im-age",which,then,interprets the"likeness".This dualistic mode of intergeneration presents the social construction and deep cul-tural logic of Chinese cultural symbols,reflecting the logical kernel of the interconstruction and integration of Chinese material life and the spiritual world.

meta imageintellectual historyiconologyobject-making

牛乐、覃壮航

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西北民族大学美术学院

元图像 知识史 图像学 造物

2024

云南艺术学院学报
云南艺术学院

云南艺术学院学报

影响因子:0.311
ISSN:1671-5047
年,卷(期):2024.(2)