首页|走马观"花儿"看非遗——关于西北"花儿"实地调研后的再思考

走马观"花儿"看非遗——关于西北"花儿"实地调研后的再思考

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"花儿"是广泛流行于我国青海、甘肃、宁夏、新疆、陕西五省区汉族、回族、藏族、土族、东乡族、保安族、撒拉族、裕固族、蒙古族9个民族共生共创共享的民歌;是西北地区多民族长期交往交流交融的文化结晶;是中华民族共同体意识在传统音乐中的最佳范例.因而对其"民歌源流"和"生态文化"进行更为深入、全面调研的目的与意义亦在于此.本文结合此次及以往的实地调研展开论述.
A Fleeting Glance of"Hua'er"to See Intangible Cultural Heritage:Re-Thinking the Fieldwork on Hua'er in Northwest China
Hua'er is a folk song which is widely popular in five provinces of China,namely Qinghai,Gansu,Ningxia,Xinjiang and Shaanxi,where,it is co-created and shared by nine ethnic nationalities:Han,Hui,Tibetan,Tu,Dongxiang,Bao'an,Sala,Yu-gu and Mongolia.It is the cultural crystallization of the long-standing exchanges and blending of multi-ethnicities in the North-west Area;it is the best example of the sense of the community of the Chinese nation in terms of traditional music.Therefore,the purpose and significance of conducting a more in-depth and comprehensive research on the origin and ecological culture of this music can be seen here.In this paper,we will discuss based on this and previous fieldworks.

Hua'er in the northwest of Chinafieldworkmaterial studyanalysis of origin and developmentseveral thoughtsleave some further discussion

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中央音乐学院

西北"花儿" 实地调研 资料爬梳 源考流辨 几点思考 再留余论

2024

云南艺术学院学报
云南艺术学院

云南艺术学院学报

影响因子:0.311
ISSN:1671-5047
年,卷(期):2024.(3)