"Non-objectivism"Narrative-Exploring the Logical Starting Point of Chinese Contemporary Art
The main sociological narrative in Chinese contemporary art implies an inherent anxiety about the lack of ar-tistic identity.The way to overcome this anxiety lies in the realm of artistic characteristics and exploring the difficulties within this sector.It lies in how to transcend the linguistic patterns of semiotic binary oppositions.This paper analyzes the artistic exploration of a painter who surpasses the semiotic language patterns as an example.This exploration dem-onstrates that the proximity of Chinese contemporary art's sought does not lie in the narrative of sociological issues within semiotic patterns.Instead,it lies in the opening and construction of the physicality within these social prob-lems.In this realm,the"Non-objectivism"but inseparable opening of historic space unfolds the domain of profound truth,which can be traced back to the study of the origins of contemporary Western art and the rhythmic vitality of Chinese art.In this sense,the exploration by this painter provides a pathway for discovering the artistic characteristics of Chinese contemporary art.
Chinese Contemporary ArtArt IdentityNon-objectivism SpaceVast Proximity