摘要
新西部电影的地理空间已经从经典西部电影中的大西北拓展到包括重庆、贵州、西藏等在内的西南地区.在多元文化交汇和碰撞中,新西部电影深度融合了电影商业性与艺术性、个体性与体制性的关系,在一个同质化、平面化的全球化时代重建了差异性空间,发展出了西部古装魔幻片、西部警匪片、西部歌舞片、西部生态片等多种审美样态和类型范式的西部话语.
Abstract
The geographical space of new western films has expanded from the northwest of classic western films to the southwest of Chongqing,Guizhou,Xizang and other regions.In the multicultural convergence and collision,it has deeply integrated the relationship between film commerciality and artistry,individuality and system.In an era of hom-ogenization and planarization of globalization,it has rebuilt the difference space,and developed western costume mag-ic films,western police and bandits films,western dance films The Western discourse of various aesthetic forms and typological paradigms such as Western ecological films.
基金项目
国家社会科学基金艺术学重大项目(2020)(20ZD19)
维普
万方数据