Soaring and Landing:Two Theoretical Faces of Jiang Kongyang's Art Aesthetics Research
Art aesthetics is one of the core dimensions that runs through Jiang Kongyang's aesthetic research.His ar-tistic aesthetic thinking not only maintains the metaphysical character of western aesthetics pursuing logical reasoning,but also embodies the theoretical aspect of landing that Chinese aesthetics emphasizes on aesthetic perception,forming an overall artistic aesthetic aspect of"both top and down".As one of the important pioneers who first ventured into the study of art aesthetics in the new era,Jiang Kongyang,together with scholars such as Zong Baihua,not only fo-cused on the prior exploration of the essence of beauty,beauty,and natural beauty in the aesthetic field,but also opened up a new academic growth point of art aesthetics and reconnected it with the aesthetic context of the Republic of China.Moreover,his"top-down"academic approach also has the exemplary characteristics of art aesthetics re-search in the field of art studies.
Jiang KongyangArt AestheticsAcademic CharacterChinese Contemporary Art Aesthetics
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