首页|集体记忆的延续:作为传播媒介和文化载体的早期电影连环画

集体记忆的延续:作为传播媒介和文化载体的早期电影连环画

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电影连环画是中国电影特有的"伴生物",它和中国电影一起建构集体记忆,是凝聚文化认同和铸牢中华民族共同体意识的重要载体.哈布瓦赫提出的集体记忆相关理论,为解读早期电影连环画作为传播媒介和文化载体建构集体记忆提供了一个有效的思考范式.在传播框架下,早期电影连环画彰显了集体记忆的媒介功能,实现了个体记忆与集体记忆的融合.在文化框架下,早期电影连环画有效延伸了集体记忆的能动性内涵,实现了过去记忆与现在记忆的连接,形成了"共同体话语",最终形塑了积极的民族认同和文化认同.
The Continuation of Collective Memory:Early Film Comics as Media and Cultural Carrier
Film comics are a unique companion of Chinese cinema,which,together with Chinese cinema,construct collective memory and serve as an important carrier for consolidating cultural identity and forging a sense of community for the Chinese nation.The theory of collective memory proposed by Habwach provides an effective thinking paradigm for interpreting early film comics as a medium of communication and cultural carrier to construct collective memory.Under the framework of communication,early film comics demonstrated the mediating function of collective memory,achieving the integration of individual memory and collective memory.Under the cultural framework,early film com-ics effectively extended the active connotation of collective memory,achieving the connection between past and present memories,creating a"community discourse",and ultimately shaping positive national and cultural identity.

Movie ComicsCollective MemoryMedia of CommunicationCultural Carrier

卢亚苏

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南京特殊教育师范学院美术与设计学院,江苏南京 210038

电影连环画 集体记忆 传播媒介 文化载体

江苏省教育科学规划课题(十四五)(2021)

C-c/2021/01/43

2024

艺术百家
江苏省文化艺术研究院

艺术百家

CSTPCDCHSSCD北大核心
影响因子:0.499
ISSN:1003-9104
年,卷(期):2024.40(2)
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