论梅鼎祚"序跋""题词"中的戏曲观
Discussion On Mei Dingzuo's Views on Drama in His Preface,Postscript and Inscription
孙蓉蓉1
作者信息
- 1. 温州大学人文学院,浙江温州 325035
- 折叠
摘要
梅鼎祚是中晚明时期影响较大的戏曲作家,是"骈绮派"的代表人物.梅鼎祚在相关剧作的"序跋""题词"中提出了"曲本诸情"的戏曲本源论,主张"兼参雅俗"的语言风格,并强调"累累而不绝"的音韵曲律等,从而形成了自己的戏曲观.中晚明时期是我国古代戏曲创作和理论的繁荣发展时期,梅鼎祚的戏曲观是其中的一个组成部分.
Abstract
Mei Dingzuo is a prominent playwright of ancient Chinese drama in the middle to late Ming Dynasty and serves as a representative figure of the"Elaborate and Beautiful Writing Style".In his relevant prefaces,postscripts,inscriptions,Mei Dingzuo put forth the theory that"dramatic works originate from human emotions",advocating for a language style that combines elegance and vernacular elements,as well as emphasizing the continuous and melodious sound effects of rhythm and melody.These contributed to the formation of Mei Dingzuo's understanding of drama.The middle to late Ming Dynasty was a period of flourishing development in ancient Chinese drama creation and theory,with Mei Dingzuo's perspective on drama being a significant component of this era.
关键词
梅鼎祚/"曲本诸情"/"兼参雅俗"/"累累而不绝"Key words
Mei Dingzuo/"Dramatic Works Originate from Human Emotions"/"A Language Style That Combines Elegance and Vernacular Elements"/"The Continuous and Melodious Sound Effects"引用本文复制引用
出版年
2024
NETL
NSTL
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