当代中国写意画创作现状及反思
The Creation Status and Reflection of Contemporary Chinese Freehand Painting
安祥祥1
作者信息
- 1. 山东大学艺术学院,山东威海 264209
- 折叠
摘要
当下中国画展览中存在的写意"弱化"现象,反映出展览作品的创作理念、审美要求与传统写意之间的错位.但展览反映的现象并不全面,当代中国画家在继承传统写意精神、创新表现手法等方面保持热情,取得了突破和进步.当代中国写意画创作在笔墨功夫、题跋运用、情感表达等方面尚有提升的空间,这不仅需要创作者提高"写意"能力,还需从美术教育、艺术传播等角度进行反思,探讨解决问题的路径,以加强中华民族写意精神的传承与发扬.
Abstract
A phenomenon of"weakened freehand"has emerged in current Chinese painting exhibitions,reflecting a misalignment between the creative concepts and aesthetic requirements of exhibited works and traditional freehand.This phenomenon does not fully capture the reality.Contemporary Chinese painters maintain strong enthusiasm for in-heriting the spirit of traditional freehand and innovating new expressive methods,achieving notable breakthroughs and progress.Contemporary freehand painting still faces deficiencies in areas such as brush and ink techniques,applica-tion of inscriptions,and emotional expression,which not only requires the creators to improve the"freehand"ability,but also to reflect on the problem from the perspective of art education and art communication,and explore the path to solve the problem,so that the spirit of freehand painting can be more fully inherited and carried forward.
关键词
中国画/写意/当代/反思Key words
Chinese Painting/Freehand/Contemporary/Reflection引用本文复制引用
基金项目
2023年度中国文联文艺评论中心委托项目()
出版年
2024
NETL
NSTL
万方数据