从士族到进士:古代艺术家的声望机制
From Intelligentsia to Jinshi:The Prestige Mechanism of Ancient Artists
童强1
作者信息
- 1. 南京大学艺术学院,江苏南京 210008
- 折叠
摘要
中国古代艺术家的声望机制有两点:一是古代艺术家需要依托权力体系获得声望,脱离这一体系就很难在社会上获得较高的地位;二是中古时期的声望系统发生转移,从士族转向进士群体,这是声望群体附丽于权力体系的过程.魏晋南北朝时期士族享有相对独立的社会地位,士族艺术家充满自信,艺术表现富有个性,奠定了中国艺术与审美的基本特征.隋唐实行科举制,士族衰落,进士群体取代士族并备受关注,但进士是从属于权力选拔机制的群体.士大夫的艺术成为其官场生活的表现,非进士出身的画家通过与士大夫群体的密切联系而获得声誉.
Abstract
The reputation mechanism of ancient Chinese artists has two points:First,ancient artists need to rely on the power system to obtain reputation,and it is difficult to get a higher status in society without this system.Second,the reputation system in the Middle Ages shifted from the intelligentsia clan to the Jinshi group,which was the process of the reputation group attached to the power system.The intellectuals of Wei,Jin and Southern and Northern Dynasties enjoyed a relatively independent social status.Their artists were full of self-confidence and their artistic expression was full of individuality,which laid the basic characteristics of Chinese art and aesthetics.The imperial examinations were carried out in Sui and Tang Dynasties,and the intelligentsia declined,and the Jinshi group replaced the intelli-gentsia and attracted much attention.The master's art became the expression of his official life,and painters who were not scholars gained fame through close contact with the scholar-official community.
关键词
艺术声望/身份群体/马克斯·韦伯/士族/进士/权力Key words
Artistic Reputation/Identity Group/Max Weber/Intelligentsia/A Successful Candidate/Might引用本文复制引用
出版年
2024
NETL
NSTL
万方数据