首页|全国美展创作导向与"现代性维度"形式表达间性特征研究——兼论美术创作如何处理好"要我画与我要画"的关系问题

全国美展创作导向与"现代性维度"形式表达间性特征研究——兼论美术创作如何处理好"要我画与我要画"的关系问题

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历届全国美展,尤其是第十四届全国美展表现出鲜明的创作导向,其"现代性维度"折射出特定时期美术创作的时代风貌与美学精神,而新时代美术创作的文艺性质也决定了美术家必须以反映时代精神为神圣使命.用"现代性维度"看待美术创作中现实主义理想、现代性形式语言追求、艺术创作观念与艺术形式语言表达,当下主流美术创作与非主流形式语言表达之间存在着相互依存的"间性"特征.历届全国美展的展陈作品深刻反映出当代美术家主流意识形态的显性表达和审美趣味的隐性追求,即当代美术家必然面临的"要我画与我要画"的关系问题.
Study on the Creative Direction of the National Exhibition of Fine Arts and the Characteristics of the Formal Expression of the"Dimension of Modernity":How to Deal with the Relationship between"I Have to Paint and I Want to Paint"in Art Creation
The successive National Exhibitions of Fine Arts,especially the 14th National Exhibition of Fine Arts,have demonstrated a clear creative orientation,and its"modernity dimension"reflects the contemporary style and aesthetic spirit of art creation in a specific period,while the nature of art creation in the new era determines that artists must re-flect the spirit of the times as a sacred mission.Using the"modernity dimension"to look at the ideal of realism,the pursuit of modern formal language,the concept of artistic creation and the expression of artistic form and language in art creation,there exists an interdependent"interstitial"character between mainstream art creation and non-main-stream formal language expression.The exhibition displays of the successive National Exhibitions of Fine Art have been very popular.The works displayed in the successive National Art Exhibitions profoundly reflect the explicit ex-pression of mainstream ideology and the implicit pursuit of aesthetic interests,and also reflect the relationship between"I have to paint and I want to paint"that contemporary artists are bound to face.

the National Exhibition of Fine ArtsCreateModernityFormal LanguageInterstitial Character

李超德

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苏州大学艺术学院,江苏苏州 215123

全国美展 创作 现代性 形式语言 间性特征

2024

艺术百家
江苏省文化艺术研究院

艺术百家

CSTPCDCHSSCD北大核心
影响因子:0.499
ISSN:1003-9104
年,卷(期):2024.40(5)