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当前小剧场戏曲的问题与对策

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当前,全国和江苏的小剧场戏曲均存在三个问题:一是有些从业者对小剧场与大剧场的关系缺乏正确理解,不能对小剧场戏曲进行正确定位;二是很多从业者把小剧场的"小"简单理解成"简""少""短",对小剧场戏曲的艺术特性缺乏深刻的理解;三是有些从业者一味追求实验性和先锋性,忽视了与观众的链接、与时代的呼应.与此相对应,从业者可以考虑以下对策:首先,把小剧场戏曲放置到宏观背景和历史流程当中考察,以明确小剧场戏曲的历史使命,理性把握小剧场戏曲的发展方向;其次,要学会在理解戏曲的"曲"特性和抒情特性的背景下讲好故事;再次,要向传统学习,汲取传统戏曲的艺术营养;最后,要借好文旅融合之东风,把小剧场戏曲融入体验经济的大潮.
Current Problems and Countermeasures of Little-theatre Traditional Opera
Little-theatre traditional opera of presence faces three main problems.First,without a correct view of the relationship between little theatre and large theatre,the little-theatre traditional opera lacks proper coordinates to es-tablish its own expressive realm.Secondly,the artistic characteristics of little theatre are misunderstood by many crea-tors as brevity and simplicity.Thirdly,the trend of blindly pursuing experimental and pioneering stance causes igno-rance of times'and public's calling.In this term,following countermeasures are proposed.By examining the historical context of little-theatre traditional opera,it is possible to clarify its location within the macro background and thus its future orientation.Then for creators,it is important to compose on the basis of melodic and lyrical trait of traditional opera.A revisit of tradition is also necessary,to absorb old wisdom and new inspiration from established and time-tested art forms.Lastly,we should fully utilize the trend of combination of culture and tourism,to integrate little-thea-tre traditional opera into the tide of experience economy.

Little-theatre Traditional OperaLittle TheatreIntegration of Culture and Tourism

任孝温、王宁

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苏州大学传媒学院,江苏苏州 215123

苏州大学文学院,江苏苏州 215123

小剧场戏曲 小剧场 文旅融合

2024

艺术百家
江苏省文化艺术研究院

艺术百家

CSTPCDCHSSCD北大核心
影响因子:0.499
ISSN:1003-9104
年,卷(期):2024.40(5)