沈从文的"现代性"与"反现代性"
Shen Congwen's"Modernity"and"Anti-modernity"
马慧娜1
作者信息
- 1. 上海应用技术大学 人文学院,上海 201418
- 折叠
摘要
沈从文在中国现代文学史上占有重要地位,但明确其思想与创作的"现代性"或"反现代性"却是沈从文研究的一大难题.从时间的角度以及沈从文的风景描写与"风景中的人"三个方面来看,沈从文具有"现代性"与"反现代性"并行的独特魅力."现代性"与"反现代性"的矛盾两极在沈从文的作品中形成了极强的艺术与思想张力,这种张力来自于艺术领域的不二法则——真实,也造就了沈从文在现代文学史上的独特和耀眼.童庆炳先生倡导的"亦此亦彼"的思维方式,可以作为解决这一难题的一个切实的起点.
Abstract
Shen Congwen holds a significant position in the history of modern Chinese literature.However,defining the"modernity"or"anti-modernity"of his thoughts and creations remains a challenging task in Shen Congwen studies.This paper examines Shen Congwen's unique charm in both"modernity"and"anti-modernity"through the lens of time,his depictions of landscapes,and the role of individuals within those landscapes.The tension between"modernity"and"anti-modernity"creates a strong artistic and intellectual force within Shen Congwen's works,which derives from the fundamental principle of art-authenticity.This tension also contributes to Shen Congwen's distinctive and dazzling presence in the history of modern litera-ture.The"both-and"thinking advocated by Mr.Tong Qingbing can serve as a practical starting point for re-solving this issue.
关键词
沈从文/现代性/反现代性/亦此亦彼Key words
Shen Congwen/modernity/anti-modernity/both-and thinking引用本文复制引用
基金项目
上海应用技术大学引进人才科研启动基金(2019)(YJ2019-32)
出版年
2024