明代江南家族刻书、藏书对画学论著的保存与传播——以毛晋汲古阁为例
On the Preservation and Dissemination of Painting Theory Texts Through Engraving and Book Collecting by Jiangnan Families During the Ming Dynasty——With Special Reference to Mao Jin's Jigu Pavilion
张媛1
作者信息
- 1. 南京艺术学院 美术学院,江苏 南京 210013
- 折叠
摘要
检索现存画论古籍资料,明代以前诸书均赖明刊本以保存,而此中贡献最大的即为江南地区文化大族的私人刻书.他们不仅刊刻古书,也刊刻了许多明代的画论著作,许多绘画思想得以借此传播.明代江南藏书家众多,其中毛晋汲古阁作为明代江南文人刻书与藏书的代表,对画学论著的收录、保存与传播起到积极推动作用.
Abstract
Searching existing ancient books on painting theories,we will find all books written prior to the Ming dynasty have reached us through Ming editions.In this effort of preservation,the greatest contribution was made by the cultural elites of the Jiangnan area,who produced private engraved copies.They did not only publish ancient books but did also publish many works on painting theories of the Ming dynasty.This contributed to the dissemination of many painting ideas.There were many book collectors in Jiangnan during the Ming dynasty.Among them,Mao Jin's Jigu Pavillion,as a representative of the Jiangnan-based Ming literati who carved and collected books,played an active role in promoting the collection,preservation,and dissemination of painting theories.
关键词
毛晋/汲古阁/画学论著/刻书/藏书Key words
Mao Jin/Jigu Pavilion/Painting theories/Book engraving/Book collecting引用本文复制引用
基金项目
南京艺术学院校级科研创新团队建设项目()
南京艺术学院中国书画理论范畴研究科研创新团队项目()
江苏高水平大学建设高峰计划南京艺术学院研究生创新人才培养工程项目(XJKY22-007)
出版年
2024
NETL
NSTL
万方数据