首页|后现代主义视角下的格拉斯"肖像歌剧三部曲"研究

后现代主义视角下的格拉斯"肖像歌剧三部曲"研究

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菲利普·格拉斯"肖像歌剧三部曲"的后现代主义风格主要体现在以下三个方面:后现代技法与传统舞曲结合,构建"肖像歌剧"的共性音乐主题动机;解构歌剧情节与文本;反叙事的叙述.格拉斯歌剧中后现代主义音乐观的形成缘于他对现代主义音乐的反叛与学术路上受到的多重影响,受到当时以阿尔托和布莱希特为代表的后现代戏剧理论及其创作的影响.
A Study of Glass's"Portrait Trilogy"from a Postmodern Perspective
The postmodern style of Philip Glass's"Portrait Trilogy"is mainly reflected in the following three aspects:postmodern techniques are combined with traditional dance music to construct the common musical theme motivation of the"Portrait Opera",deconstructing the plot and text,and counter-narrative narration.The formation of the postmodern musical outlook in Glass's operas was due to his rebellion against modernist music and the multiple influences he was exposed to throughout his academic journey.He was also influenced by postmodern drama theory and creation developed by Artaud and Brecht at that time.

PostmodernismPhilip Glass"Portrait Trilogy"

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广西艺术学院 艺术研究院,广西 南宁 530022

后现代主义 菲利普·格拉斯 "肖像歌剧三部曲"

广西艺术学院高层次人才科研启动经费资助项目广西壮族自治区哲学社会科学研究项目

GCRC20211523FWY027

2024

艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
年,卷(期):2024.38(1)
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