新时代广西壮族特色乐器啵咧的创新和表演形式探析——以乐曲《印象·三月三》《古城新韵》为例
An Analysis of the Innovation and Performance Forms of Guangxi Zhuang's Characteristic Musical Instrument Bolie in the New Era——With Special Reference to the Tunes Impression·San Yue San and New Rhythm of the Ancient City
贾阿龙1
作者信息
- 1. 广西艺术学院 音乐学院,广西 南宁 530022
- 折叠
摘要
啵咧作为壮族音乐文化的重要组成部分,近年来经过广西音乐家、演奏家的不断探索、改进和创新,在新时代焕发新生.广西艺术学院侯道辉教授对啵咧做了进一步改良,使啵咧的制作工艺水平得到大幅提高,原来在音准、音色、造型等方面存在的问题得到有效解决.新时代的啵咧可以和民族管弦乐团、交响乐团共同演奏.啵咧的存在和发展与壮族社会的发展相适应,其具有独特的音乐价值、社会价值、心理学价值和美学价值.
Abstract
As an important part of Zhuang music culture,the bolie was improved and innovated by Guangxi musicians and performers in recent years,which has led to its being reborn in the new era through continuous exploration.Professor Hou Daohui of Guangxi Arts University has made further improvements to the bolie,thus greatly improving its production technology.Original problems in pitch,timbre,shape,and other aspects have been effectively solved.In this new era,the bolie can be accompanied by Chinese orchestras as well as symphonic orchestras.The existence and development of the bolie are in line with the development of Zhuang society,marked by unique musical,social,psychological,and aesthetic values.
关键词
啵咧/创新/表演形式/《印象·三月三》/《古城新韵》Key words
bolie,Innovation/Performance Form/Impression·San Yue San/New Rhythm of the Ancient City引用本文复制引用
基金项目
广西壮族自治区高等学校中青年教师科研基础能力提升项目(2023)(2023KY0485)
出版年
2024
NETL
NSTL
万方数据