秦文琛音乐中的"易斯格勒泛音"及其话语表征
"Yi Si Ge Le Harmonics"in Qin Wenchen's Music and Its Discursive Representation
徐言亭1
作者信息
- 1. 淮阴师范学院 音乐学院,江苏 淮安 223001
- 折叠
摘要
秦文琛在创作中运用的大量泛音,是他以陌生化理念对西方音乐的泛音技法和具有蒙古族民族特色的"易斯格勒"所做的在地化重构.秦文琛既没有直接搬用西方的多声部语言,也没有套用传统原型,而是回到自身熟悉的文化语境,找到自我的音乐表述策略.
Abstract
The large number of harmonics used by Qin Wenchen in his compositions are his localised reconstruction of the harmonics of Western music and"yi se ge le"with Mongolian ethnic characteristics using the concept of de-familiarisation.This musical discourse-expressive mechanism is neither a direct copy of Western polyphonic language nor an application of traditional prototypes,but a return to one's own familiar cultural context in order to find one's own musical expressive mechanism.
关键词
秦文琛/易斯格勒/泛音/话语分析/文化身份Key words
Qin Wenchen/Yi Si Ge Le/Harmonics/Discourse analysis/Cultural identity引用本文复制引用
基金项目
教育部人文社会科学研究青年基金(2020)(20YJC760114)
出版年
2024
NETL
NSTL
万方数据