首页|从宗族认同到地域认同:"迎老爷"仪式中的潮州大锣鼓音乐研究

从宗族认同到地域认同:"迎老爷"仪式中的潮州大锣鼓音乐研究

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潮州地区的"迎老爷"无论是仪式进行的场域空间,还是仪式参与者的个体情感,抑或仪式中的音乐,都标示着其背后文化内涵的嬗变——由传统的宗族祭祀活动到极具地域色彩的民俗文化活动.潮州大锣鼓表演在"迎老爷"仪式中所营造的听觉、视觉及视听结合的情感体验,使在场不同身份的参与者获得对地方感的认知.潮州大锣鼓音乐极具地域性色彩的高声部旋律,与不同音色的低声部打击乐器密切配合,形成丰富的多声音乐形态,极大增强了仪式的喜庆氛围.
From Clan Identity to Regional Identity:Research on Chaozhou Gong-and-drum Music in the Welcoming the Immortals Ceremony
All the facets of the current Welcoming the Immortals ritual performed in the Chaoshan area,whether it be the field where the ceremony is held,the individual emotions of those partaking in the ceremony,or the music played during the ceremony,do all mark the evolution of the cultural connotations behind it,i.e.,the evolution from traditional clan sacrificial activities to folk cultural activities with strong regional flavour.The emotional experience of auditory,visual,and audio-visual integration created by the Chaozhou gong-and-drum performance in the Welcoming the Immortals ceremony enables participants with different identities to gain a sense of tradition.The high-pitched melody of Chaozhou gong-and-drum music,which has a strong regional flavour,works closely with the low-pitched percussion instruments of different timbres to form a rich polyphonic body,which greatly enhances the festive atmosphere of the ceremony.

Welcoming the ImmortalsChaozhou gongs and drumsClan cultureEmbodied performanceRegional identity

谢峥悦、蒋燮

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广西艺术学院 音乐学院,广西 南宁 530022

迎老爷 潮州大锣鼓 宗族文化 具身展演 地域认同

2024

艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
年,卷(期):2024.38(1)
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