Shenyin Jiangu Lu On Tie Dan's Posture——Based on The Peony Pavilion-School and The Romance of the West Chamber-Wedding
When compared with its stage presentation in later generations,and although there are differences in details,movements,expression habits,and titles,Tiedan's posture in Kun Opera as it has been recorded in Shenyin J iangu Lu laid the foundation for later Kun Opera performances.Compared to other Dan roles,Tiedan's figure features great opening and closing acts,and her performance is marked by precision and moderation,which is a consistent aesthetic pursuit in the annotations of Shenyin J iangu Lu.Changes that occurred in Tiedan's posture need to be considered within the rules of stage creation and the process of Chinese opera history.
TiedanPostureTwelve RedsSpring Fragrance and School Troubles
NETL
NSTL
万方数据
