首页|从珍奇柜到多宝格:清宫陈设中的中西文化交融与幻象营造

从珍奇柜到多宝格:清宫陈设中的中西文化交融与幻象营造

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作为藏品展示的载体,清宫多宝格与欧洲珍奇柜分别代表了东西方在前工业化时代对于物质世界的探索与解读.二者之间存在着工艺和设计观念上的交流与互通.多宝格在展示皇帝个人品位与世界观的同时,将清宫打造成一个充满诗意与幻象的空间.这从侧面反映出清统治者在应对西方技术与文化日渐渗入日常生活时的姿态.
From Cabinets of Curiosities to Treasure Display Units:The Blending of Chinese and Western Cultures and the Creation of Illusions in Qing Palace Furnishings
As a collection display unit,the duobaoge produced during the Qing dynasty and cabinets of curiosities from Europe respectively represent the exploration and interpretation of the material world by the East and the West in the pre-industrial era.There is communication and interoperability between the two in terms of craftsmanship and design concepts.While the duobaoge exhibited the emperor's personal taste and world view,it also transformed the Qing Palace into a space filled with poetry and fantasy.This reflects the attitude of the Qing rulers towards the world as Western technology and culture increasingly infiltrated their daily lives.

DuobaogeCabinet of curiositiesGlass mirrorIllusionManufacturing office

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北京大学 艺术学院,北京 100871

多宝格 珍奇柜 玻璃镜 幻象 造办处

2024

艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
年,卷(期):2024.38(2)
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