首页|"渡河"与"引路":接受美学视域下丰子恺绘画鲁迅小说的跨媒介叙事研究

"渡河"与"引路":接受美学视域下丰子恺绘画鲁迅小说的跨媒介叙事研究

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丰子恺作为中国现代美学的积极推进者和建构者,将其关注现实、关怀生命的人生美学融入鲁迅小说的跨媒介叙事,有效改变了鲁迅小说受众接受的精英化格局,使鲁迅小说更贴近普通大众,与时代大众的阅读趣味、文化程度、审美能力相适应,受众的接受范围扩大.
"Crossing the River"and"Leading the Way":A Cross-Media Narrative Study of Feng Zikai's Paintings of Lu Xun Novels Carried Out from the Perspective of Receptive Aesthetics
As an active promoter and constructor of modern Chinese aesthetics,Feng Zikai incorporated the aesthetics of life focusing on reality and life into the cross-media narratives of Lu Xun's novels,effectively changing the elitist pattern of audiences'reception of Lu Xun's novels.In so doing,he brought the author's perspective closer to the general public during their dissemination process,adapting to the reading interests,educational and cultural level,and aesthetic ability of the public,while infiltrating aesthetic education into the daily entertainment of the people,and further expands the scope of audiences'aesthetic reception.

Aesthetics of receptionCross-media narrativeFeng Zikai's paintings of Lu Xun's novelsGraphic translation

王会青

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延安大学 文学与新闻传播学院,陕西 延安 716000

接受美学 跨媒介叙事 丰子恺绘画鲁迅小说 文图转译

2024

艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
年,卷(期):2024.38(2)
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