首页|清宫寿戏《兰殿呈祥》剧本流变考

清宫寿戏《兰殿呈祥》剧本流变考

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清宫寿戏《兰殿呈祥》实由《升平雅奏》改编而来,其间还一度改名《尧天雅奏》.剧本至迟不晚于嘉庆时期出现,而后通过部分曲目的增减、曲辞和道白的调整,完成了从《升平雅奏》到《兰殿呈祥》的首次变身.道光后,剧本保持整体稳定,仅根据演出情境需要,对相关颂词进行调整,体现出清宫寿戏"大稳定小调整"的改编原则与策略.该剧道光至同治三朝未见演出记录,直至光绪十七年(1891 年)慈禧寿辰时才再度上演.十六次演出记录全部见于光绪一朝,主要用于万寿和新春承应.
An Examination of the Evolution of the Qing Court Birthday Play Offer of Auspicious Fortune in the Palace of the Empress Dowager
The Qing court birthday play,Offer of Auspicious Fortune in Palace of the Empress Dowager,was actually adapted from Harmonious and Elegant Music and was once renamed Elegant Music of the Reign of Yao.The script first emerged no later than the Jiaqing period and then underwent its first transformation from Harmonious and Elegant Music to Offer of Auspicious Fortune in the Palace of Empress Dowager through the addition and removal of certain tunes,as well as certain adjustments made to the lyrics and dialogues.After the Daoguang period,the script remained largely unchanged,with only minor adjustments made to relevant odes in order to suit the performance's context,reflecting the Qing court birthday play's adaptation principle and strategy of maintaining"major stability through minor adjustments".No performance records exist for this play between the Daoguang to the Tongzhi periods,and it was not performed again until the 17th year of the Guangxu Emperor(1891),for Cixi's birthday.All sixteen performance records found during the Guangxu period show that the play was mainly performed for the purpose of celebrating longevity and the New Year.

Offer of Auspicious FortuneHarmonious and Elegant MusicBirthday playQing court

刘铁

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鞍山师范学院 "一带一路"文化创意产业研究院,辽宁 鞍山 114007

《兰殿呈祥》 《升平雅奏》 寿戏 清宫

2024

艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
年,卷(期):2024.38(3)