首页|志书与版画:明清武夷九曲图像的来源与演变

志书与版画:明清武夷九曲图像的来源与演变

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在士人旅行风尚和以朱子理学为宗的社会文化背景下,明清时期出现了大量武夷九曲题材画作,不少知名画家也参与其中.这些武夷九曲题材画作的山水图像有着近似的图式和布局,多源自对武夷志书和相关山水版画的借鉴,通过对其中的山水图像进行挪用、伸展和艺术语言改造,形成了程式化的构成图式.这些武夷九曲山水画作反映了明清时人对武夷山水形象的整体认知.
Chronicles and Prints:The Source and Evolution of the Scenic Image of the Wuyi Nine-themed Paintings in the Ming and Qing Dynasties
During the Ming and Qing dynasties,influenced by the travel culture of scholars and the social ethos shaped by Zhu Xi's philosophy,a large number of paintings themed around the Wuyi nine-sceneries emerged,attracting the participation of numerous renowned painters.The landscape images of these Wuyi nine-themed paintings share similar atlases and layouts,predominantly derived from the reference of Wuyi chronicles and related landscape prints.In the misappropriation,stretching and artistic language transformation of the landscape images in the chronicles and prints,they have formed the theme of Wuyi with procedural composition atlases and different styles.Landscape paintings also reflect the overall understanding of the image of Wuyi landscape in the Ming and Qing Dynasties.

Wuyi nine-themed paintingsChronicleLandscape printImage

姚莉芳

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福建师范大学 美术学院,福建 福州 350007

武夷九曲图 方志 山水版画 图像

2024

艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
年,卷(期):2024.38(4)