摘要
20世纪90年代以来中国乡村电影的空间叙事总体上呈现为一种清新、唯美、浪漫的美学风格.其诗意想象与家园神话的生成建立在农耕文明基础之上,是对照城市经验而建构出来的想象物.怀旧与乡愁是乡村乌托邦建构的情感结构.自然风光、民俗风情以及道德人伦是乡村电影诗意想象的重要媒介,使乡村成为诗意栖居的理想家园,形成了中国电影独具民族特色的诗意空间美学.
Abstract
Since the 1990s,the spatial narrative of Chinese rural cinema has generally presented a fresh,beautiful,and romantic aesthetic style.Its poetic imagination and the creation of hometown mythology are based on the foundation of agricultural civilisation and are imagined entities constructed in contrast to urban experiences.Nostalgia and homesickness are the emotional structures of the construction of a rural utopia.Natural scenery,folk customs,and moral ethics are important ingredients for the poetic imagination of rural cinema,making the countryside an ideal home for poetic dwelling,and forming a unique poetic spatial aesthetics in Chinese cinema,imbued with national aesthetic characteristics.
维普
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