摘要
《深海》在工业化电影生产和作者型创作个性的转换与平衡中,通过双重叙事结构、心理表现主义、彩色粒子水墨等形式创新,表现出两个面向:一是反映了青年亚文化主体对相对正义的现实世界的价值体认、选择与承担,表达了影片的现实主义关怀;二是在引发了极大感性瞬间共振的同时,青年亚文化主体尚无意也无力于重建价值共识.
Abstract
Deep Sea demonstrates a transformation and balance between industrialised film production and auteur-oriented creative individuality.Through dual narrative structures,psychological expressionism,and the formal innovation of coloured particle painting,it displays two aspects:first,it reflects the value recognition,choice,and commitment of the subcultural youth subject to a relatively just real world,expressing the film's realistic concern,and second,while causing a great resonance within the sensory moment,the subcultural youth subject is still unwilling and unable to rebuild value consensus.
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