艺术探索2024,Vol.38Issue(6) :80-85.DOI:10.13574/j.cnki.artsexp.2024.06.009

笔墨观念下当代中国人物画的多元格局

On the Pluralistic Pattern of Contemporary Chinese Figure Painting within the Brush-and-Ink Concept

郑振铭
艺术探索2024,Vol.38Issue(6) :80-85.DOI:10.13574/j.cnki.artsexp.2024.06.009

笔墨观念下当代中国人物画的多元格局

On the Pluralistic Pattern of Contemporary Chinese Figure Painting within the Brush-and-Ink Concept

郑振铭1
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作者信息

  • 1. 广西艺术学院 美术教育学院,广西 南宁 530007
  • 折叠

摘要

当代中国人物画在叙事方式、审美观念、笔墨语言等方面都有了新的变化,在题材、造型、构图、意象色彩、综合材料等方面已形成多元格局.笔墨观念是其重要的构成元素,树立符合时代特征的笔墨观念对当代中国人物画意象构建具有重要意义.

Abstract

Contemporary Chinese figure painting has seen new developments in narrative methods,aesthetic concepts,and brush-and-ink techniques,leading to a pluralistic pattern that encompasses subject matter,modelling,composition,imaginative colour,and the use of composite materials.The concept of brush-and-ink is a crucial element,and it is significant to develop a brush-and-ink concept that reflects the characteristics of the era for the construction of images in contemporary Chinese figure painting.

关键词

笔墨观念/当代/中国人物画/多元格局

Key words

Brush-and-Ink Concept/Chinese figure painting/Pluralistic pattern

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出版年

2024
艺术探索
广西艺术学院

艺术探索

CHSSCD
影响因子:0.156
ISSN:1003-3653
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