摘要
数字媒体在逐渐普及的过程中,效率相较于现代机械生产呈指数级提高.随着本雅明所说"光韵"的衰退,数字媒体影像中的时间随着现实空间距离的消失被大大压缩.数字媒体所具有的可复制、实时在场等特性意味着一种不同于以往的创作方式将对艺术自律性产生新的挑战.
Abstract
As digital media gradually becomes more popular,its efficiency increases exponentially in comparison to modern mechanical production.With the decline of the'aura',as defined by Walter Benjamin,time within digital media images is significantly compressed,and real spatial distances seem to vanish.The characteristics of digital media,including replicability and real-time presence,suggest a creation method that differs from the past,posing new challenges to the self-discipline established by art.
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