汉江师范学院学报2024,Vol.44Issue(5) :30-34.DOI:10.19575/j.cnki.cn42-1892/g4.2024.05.006

礼乐制度与《周南·桃夭》篇的文化意蕴

The System of Rites and Music and the Cultural Implication of Zhou Nan·Tao Yao

徐群 姚小鸥
汉江师范学院学报2024,Vol.44Issue(5) :30-34.DOI:10.19575/j.cnki.cn42-1892/g4.2024.05.006

礼乐制度与《周南·桃夭》篇的文化意蕴

The System of Rites and Music and the Cultural Implication of Zhou Nan·Tao Yao

徐群 1姚小鸥1
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作者信息

  • 1. 聊城大学 文学院,山东 聊城 252000
  • 折叠

摘要

《周南·桃夭》是《诗经》中的著名篇章,从礼乐制度的角度解读该诗,可以对先秦时代的审美标准、道德观念及人们的行为规范有进一步的认识,真正理解《诗经》的诗教价值和礼教意义.《周南·桃夭》反映了周人美善并臻的审美观、希冀家庭幸福美满的婚姻观以及期盼家族子孙蕃盛的子嗣观.这些观念的形成与当时社会的礼乐文化背景密不可分,值得认真探讨.

Abstract

Zhou Nan Tao Yao is a famous chapter in The Book of Songs.From the perspective of ritual and music system,we can have a further understanding of the aesthetic standards,moral concepts and people's behavior norms in the pre-Qin era,and understand the value of poetry and etiquette in The Book of Songs.Zhou Nan Tao Yao reflects the Zhou people's aesthetic sense of beauty and perfection,the view of marriage hoping for a happy family and the view of children and heirs looking forward to the prosperity of the family.The formation of these ideas is closely related to the cultural background of rites and music in the society at that time,which is worthy of deep study.

关键词

诗经/桃夭/礼乐制度/审美观/婚姻观/子嗣观

Key words

The Book of Songs/Tao Yao/system of rites and music/Aesthetics/the concept of marriage/the concept of child-bearing

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出版年

2024
汉江师范学院学报
郧阳师范高等专科学校

汉江师范学院学报

影响因子:0.175
ISSN:1008-6072
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