音乐文化研究2024,Issue(2) :127-135.

二里头文化铃器三题

Three Aspects of Bell Instruments in the Erlitou Culture

和一帆
音乐文化研究2024,Issue(2) :127-135.

二里头文化铃器三题

Three Aspects of Bell Instruments in the Erlitou Culture

和一帆1
扫码查看

作者信息

  • 1. 中央音乐学院音乐学系(北京,100031)
  • 折叠

摘要

立足中国音乐史学立场研究二里头铃的问题,弄清其来龙去脉是十分必要的.二里头陶铃和铜铃在音乐性能等方面存在显著差异,铜铃并非模仿陶铃制作,二者应是并行发展的两类乐器.陶寺铃与二里头铃之间的传承关系可能存疑,二里头铃并未受到陶寺影响,二者的音乐观念、演进模式并不相同.二里头铃的传播与扩散促进了各地音乐事业的发展,深刻体现出其文化的感染力与向心力.此外,二里岗时期中原铜铃的"流失"以及音乐面貌的黯淡景象,或是新兴政权主动选择的结果.

Abstract

Studying the bell instruments of the Erlitou from the perspective of Chinese music history is essential for understanding their origins and development.There are significant differences in musical performances be-tween the Erlitou pottery bells and bronze bells;notably the bronze bells were not modelled after the pottery bells,but both were developed concurrently as separate types of instruments.The possible lineage from the Taosi bells to the Erlitou bells is doubtful,as the Erlitou bells were likely not influenced by the Taosi culture,indicating divergent musical concepts and evolutionary patterns.The dissemination of the Erlitou bells promo-ted the development of music across regions,profoundly demonstrating their cultural impact and centrality.Additionally,the"loss"of bronze bells during the Erligang period and the dim prospects for music may have been a deliberate choice by emerging authorities.

关键词

二里头文化/陶铃/铜铃/音乐考古

Key words

Erlitou Culture/pottery Bells/bronze Bells

引用本文复制引用

出版年

2024
音乐文化研究

音乐文化研究

ISSN:
段落导航相关论文