The Dunhuang Music Score(P.3808)is an important score surviving on the Silk Road from the Five Dynasties period and the Tang Dynasty.Since Hayashi Kenzõ and Hiraide Hisao's 1938 comparative study of Dunhuang and Tenpyo pipa music scores,research on the Dunhuang Music Score has attracted substantial in-ternational and domestic attention.Breakthroughs in pitch and duration of the notation have advanced our under-standing of the score and its historical context.Based on previous research findings,this study examines the me-lodic relationships between titled and untitled compositions in the Dunhuang Music Score,using Chen Yingshi's translated version as an example.Inspired by the analytical ideas and methods provided by scholars such as Li Ji-ti's analysis of the"homologous compositions"across different regions,this article compares and contrasts melo-dies within the same composition group to explore melodic development patterns,aiming to evaluate the validity of the previous relevant research.
关键词
《敦煌乐谱》/有标题曲/无标题曲/旋律关系
Key words
Dunhuang music score/titled song/untitled song/melodic relationships
维普
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