音乐文化研究2024,Issue(3) :99-119.

中国传统音乐结构思维在当代流行音乐创作中的运用

The Application of Traditional Chinese Music Structure in Popular Music

施咏
音乐文化研究2024,Issue(3) :99-119.

中国传统音乐结构思维在当代流行音乐创作中的运用

The Application of Traditional Chinese Music Structure in Popular Music

施咏1
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作者信息

  • 1. 南京师范大学音乐学院(南京,210097)
  • 折叠

摘要

文章选取百年来中国当代流行音乐中采用五声音阶式进行、加花、减花、鱼咬尾、连环扣、加垛等旋法,过阕、合尾、一曲多用等曲体结构创作的具有中国民族特色的作品个案进行音乐分析,以之探讨符合民族审美心理的中国传统音乐结构思维在当代流行音乐创作中的存续与发展,探求中国传统音乐结构思维在当代流行音乐中的表达之道,构建具有中国特色、中国话语的当代流行音乐创作的方法体系.

Abstract

This study selects representative works from the past century of Chinese popular music that employs pentatonic scales,traditional melodic developing methods such as jiahua(adding flower),jianhua,(delete flower)yuyaowei(connected head to tail),lianhuankou(interlocked rings),jiaduo(adding beats),as well as traditional music structures such as guoque,hewei(ending on the same phrase),and one song for multiple pur-poses.Through musical analysis,this article explores the existence and development of traditional Chinese music structural thinking in contemporary popular music creation,which aligns with Chinese national aesthetics.It seeks to discover how traditional Chinese music forms and structures can be utilised in popular music and to es-tablish a methodological system for composing contemporary popular music with Chinese characteristics and dis-course.

关键词

中国传统音乐结构/中国流行音乐/旋法/鱼咬尾/连环扣/合尾/腔音列

Key words

Traditional Chinese music structure/Chinese popular music/melodic method/yuyaowei/lianhua-nkou/hewei/qiangyinlei

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出版年

2024
音乐文化研究

音乐文化研究

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