Zhanren Yangge(Standing yangko)has experienced a historical evolution of more than a century.With the artistic characteristics of both Northeastern Han Yangko and Manchu Yangko,Standing yangko has been influenced by the regional culture of Northeast China,aligning with the character and aesthetic habits of Northeastern Chinese.Moreover,it reflects the diversified cultures of local ethnic minorities,demonstrating tolerance,openness,and uniqueness.Within the context of social progress and economic development,yangko performance transitioned from confined spaces to broader social spaces encompassing villages,towns,counties,and even neighbouring provinces and cities,thereby fostering cultural development in the northeast-ern border regions through exchange and integration among different groups.Yangko contains the historical memory of local people and serves as a cultural carrier to seek social identity.After the disappearance of folk cultures such as temple fairs and theatres,and shamanism dance,the inheritance and development of Standing yangko have more realistic cultural significance.
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