摘要
以黎锦晖《麻雀与小孩》为起点的早期儿童歌舞剧,是在"美育""国语运动"的推动下、借鉴西方戏剧样式而创生的,反映出时代对"儿童"的发现和关怀.该剧表明儿童歌舞剧在"儿童歌舞剧—歌剧"的整体语境中得到发展,既有儿童歌舞剧探索对20世纪三四十年代歌剧探索的支撑和影响,又有歌剧创演经验对儿童歌舞剧的"反哺",展现出儿童歌舞剧与歌剧的互动和转化.早期儿童歌舞剧作为中国歌剧雏形,开启了中国"儿童歌舞剧—歌剧"的国语白话模式,显露出"以音乐承载戏剧"的"歌剧思维",构建了中国歌剧的戏剧结构空间,搭建了中国歌剧作为综合艺术的基本构架,在中国歌剧百年历史发展中具有先导地位和铺垫作用.
Abstract
The early children's song and dance drama starting from Li Jinhui's Sparrow and Child as the prototype of Chinese opera opened the Chinese vernacular mode of its"children's song and dance drama-opera".And that further revealed the"opera thinking"of"carrying drama plot on with music",producing a dramatic structure space of Chinese opera and a basic framework of this opera as a comprehensive art.All played a leading role,and also paved the way,in the development of Chinese opera in its century-old history.
基金项目
2022年国家社科基金艺术学一般课题(22BD072)
NETL
NSTL
维普
万方数据