音乐艺术2023,Issue(3) :81-88.DOI:10.19359/j.cn31-1004/j.2023.03.007

明代礼乐发端——朱元璋吴元年礼乐政举及其历史意义

The Beginning of Ritual Music in the Ming Dynasty—Emperor Zhu Yuanzhang's First Year Ritual Music for Political Goals and its Historical Significance

尹蕾 杨康宁
音乐艺术2023,Issue(3) :81-88.DOI:10.19359/j.cn31-1004/j.2023.03.007

明代礼乐发端——朱元璋吴元年礼乐政举及其历史意义

The Beginning of Ritual Music in the Ming Dynasty—Emperor Zhu Yuanzhang's First Year Ritual Music for Political Goals and its Historical Significance

尹蕾 1杨康宁1
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作者信息

  • 1. 聊城大学音乐与舞蹈学院(聊城252000)
  • 折叠

摘要

元末以降,面对蒙元胡俗、胡风对华夏文化的影响,文人士大夫阶层对恢复华夏礼乐的要求愈加迫切.为获取更广泛的支持,朱元璋确立革除蒙元胡俗、重建华夏礼乐文化的政治目标.吴元年,朱元璋命选乐舞生、定乐舞之制,置太常司和教坊司,制乐章声谱、正郊庙乐及朝仪用乐,开启明代的礼乐建设,成为有明一代制礼作乐的起点,是明代音乐史的开端.

Abstract

After the end of the Yuan Dynasty,Zhu Yuanzhang established the political goal of eliminating the customs of the Mongol and Yuan dynasties and rebuilding the Chinese ritual and music culture.In the first year,Emperor Zhu ordered the selection of music and dance performers,the establishment of music and dance system,the Taichang Division,the Teaching Workshop Division,and the other systems,which opened the construction of ritual music in the Ming Dynasty,and became the starting point of the Ming Dynasty to make ritual music.That was the beginning of the music history of the Ming Dynasty.

关键词

吴元年/礼乐发端/华夷/断代史

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基金项目

聊城大学博士研究基金(321052125)

出版年

2023
音乐艺术
上海音乐学院

音乐艺术

CSSCICHSSCD北大核心
ISSN:1000-4270
参考文献量36
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