摘要
《彩云追月》虽与"广东音乐"风格相搭且水乳相融,但将二者置于20世纪30年代的历史语境并从曲作者经历、音乐风格、旋律结构去剖析,用音乐文化学视角去探究,就不难发现二者之间却无"血缘关系".人们之所以将《彩月追月》视为"广东音乐",则与《彩云追月》的产生背景及当时"广东音乐"在上海的生存状态相关.
Abstract
Although"Chasing the Moon in Colorful Clouds"is compatible with the style of"Cantonese music",it is not difficult to find that there is no"blood relationship"between the two by placing them in the historical context of the 1930s,analyzing the composer's experience,musical style,and melodic structure,and exploring them from the perspective of music culture.The reason why people regard"Chasing the Moon in Colorful Moon"as"Cantonese music"is related to the background of this piece and the survival state of"Cantonese music"in Shanghai at that time.
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