意大利"美声歌唱"与17世纪至19世纪欧洲审美观念的嬗变
Italian"bel canto"and the Transmutation of European Aesthetic Concepts from the 17th to the 19th Centuries
羡涛1
作者信息
- 1. 山东大学;广东外语外贸大学艺术学院(广州 510006)
- 折叠
摘要
意大利的"美声歌唱"作为一种歌唱风格有其独特的审美特征,从17-19世纪,美声歌唱的歌唱风格变动不居.这种变化具有其特定的历史与文化语境,反映出这一时期欧洲审美观念的嬗变,并与文化、审美与哲学有着内在的关联.
Abstract
Italian"bel canto"as a singing style has its own unique aesthetic characteristics.From the 17th century to the 19th century,the singing style of"bel canto"was constantly changing.This change had its own specific historical and cultural context,reflected the transformation of European aesthetic concepts during this period,and was intrinsically related to culture,aesthetics and philosophy.
关键词
"美声歌唱"/审美理念/情感美学/模仿说/表现美学引用本文复制引用
基金项目
2021年度国家社会科学基金艺术学项目(21BD059)
出版年
2023
NETL
NSTL
万方数据