音乐艺术2024,Issue(1) :46-59.DOI:10.19359/j.cn31-1004/j.2024.01.004

隋代登歌的历史渊源及其施用探析

Towards the Historical Origin and Application of Deng-ge in Sui Dynasty

杨成秀
音乐艺术2024,Issue(1) :46-59.DOI:10.19359/j.cn31-1004/j.2024.01.004

隋代登歌的历史渊源及其施用探析

Towards the Historical Origin and Application of Deng-ge in Sui Dynasty

杨成秀1
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作者信息

  • 1. 浙江音乐学院;浙音长三角音乐历史与文化研究中心(杭州310024)
  • 折叠

摘要

登歌是雅乐的重要内容,本取登堂而歌之意,其通过表演空间的定位,体现"贵人声"的思想,在西周大祭祀、大飨、乡饮酒礼等礼仪中均有体现.汉魏以后,伴随五礼制度的建立和发展,登歌逐渐固定成为礼仪用乐中与宫悬相区别的、具有一定乐器组合及歌唱的特定表演类型,唐宋之际被广泛运用于吉礼、嘉礼、宾礼等重大礼仪中.据史籍记载,隋代登歌吸纳了魏晋南北朝礼乐变革的成果,在乐器构成和施用制度上为后续在唐宋时代的发展奠定了基本轮廓,具有承上启下的意义.

Abstract

Deng-ge was an important part of court refined music,which means to sing in the hall and,through the orientation of performing space,embodies the"voice of noble people."This is reflected in the rituals of Western Zhou Dynasty,such as the big sacrifice,the big dinner,the village drinking ceremony and so on.After Han and Wei Dynasties,with the establishment and development of the Five Rites System,Deng-ge gradually became a performance type with specific combination of musical instruments and singing,which was different from ritual music rules.It was widely used in major rituals during Tang and Song Dynasties.According to historical records,deng-ge in Sui Dynasty absorbed the achievements of the transformation of rites and music in Wei,Jin and Southern and Northern Dynasties,and laid a basic outline for the development of deng-ge in Tang and Song Dynasties in the composition and application system of musical instruments.

关键词

登歌/魏晋南北朝/隋代

Key words

deng-ge/Wei,Jin,Southern and Northern Dynasties/Sui Dynasty

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基金项目

2021年浙江省哲学社会科学领军人才培育课题(21YJRC14ZD)

2021年浙江省哲学社会科学领军人才培育课题子课题(21YJRC14-2YB)

出版年

2024
音乐艺术
上海音乐学院

音乐艺术

CSSCICHSSCD北大核心
ISSN:1000-4270
参考文献量91
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