康熙朝太常祭祀乐制建设中乐律的制度化——以《律吕正义》的生成为中心
The Systematization of Musical Temperament in the Construction of Taichang Court Sacrificial Music System in the Emperor Kangxi Period——Focusing on the Formation of Lü-Lü-Zheng-Yi
温显贵 1邱婧1
作者信息
摘要
清王朝建立以后,乐制建设在艰难中缓慢转型.康熙前期,太常祭祀乐制有所创制,如定太常寺乐舞生、定乐器,以及在理学阴阳思想观照下提出对乐律的再讨论.康熙后期,重考乐律,将理学阴阳思想作为康熙十四律的理论支撑,依据精密计算,用字谱、旋宫体现其实践性.《律吕正义》成书以后,康熙迅速将新律用于太常祭祀,并亲定全部雅乐.因此《律吕正义》的诞生标志着帝王意志对乐律的重塑,体现出帝王治世与文化思想的相互呼应,也是"乐律"这一科学性概念的制度化体现.
Abstract
The construction of music system was transformed slowly in the midst of difficulties after the establishment of Qing Dynasty.In the early Kangxi period,the sacrificial music system of Taichang Bureau was created or fixed,including the music and dance performers,the fixed musical instruments,and the re-discussion of the rules of music in the view of Yin and Yang of idealist-school of Confucianism.In the later period of Emperor Kangxi,the musical rules were reexamined,and the Yin and Yang thought of Confucianism was taken as the theoretical support of the fourteen pitches of that period.After Lü-Lü-Zheng-Yi(Encyclopedia of Music)was completed,Kangxi quickly applied the new law to Taichang sacrifice and personally determined all the court refined music.The birth of Lü-Lü-Zheng-Yi marked reshaping all of the musical rules by the imperial will,reflected the mutual echo of the imperial ruling and cultural thought,and was also the systematic embodiment of the scientific concept of"musical temperament."
关键词
太常祭祀/乐制/《律吕正义》/康熙Key words
Taichang sacrifice/music system/Lü-Lü-zheng-yi/Emperor Kangxi引用本文复制引用
基金项目
2023年度国家社科基金艺术学重大项目(23ZD09)
出版年
2024
NETL
NSTL
万方数据