摘要
茶歌作为中国传统音乐的重要品类,其文化的发展体现出了历史、类型、风格和媒介等四种逻辑.茶歌源流于两晋并在历代文人参与中体现出:音乐地理特征的茶源性、流变性与创新性的多元发展历史逻辑;"歌-灯-戏"的衍进方式体现出以"采茶"为中枢的表演化发展逻辑,以及支脉性、采茶性等类型逻辑;茶歌在变迁中形成了大艺术范畴而非纯粹歌的概念,表现为综合化、文学性、歌舞性、谣曲性山歌等以茶歌为圆心涟漪扩展的风格逻辑;茶歌传播实质是以茶为媒成茶事,以茶事为媒成茶歌,以茶歌为媒成茶戏与新茶歌,以媒介为媒发展与传承的媒介逻辑.
Abstract
As an important category of Chinese traditional music,the development of tea song culture embodies four logics:respectively in history,type,style and media.Tea songs originated in Eastern and Western Jin Dynasties and reflected in the participation of literati in the past dynasties:the music geographical characteristics such as tea's origin,rheology and innovation in the multi-development of historical logic.The evolution of"song-lamp-drama"reflects the logic of performative development with"tea-picking"as the center,as well as the type logics of branch and tea-picking.Tea songs have formed the concept of"great art"instead of"pure song"in the process of change,which is characterized by the style logic of synthesis,literature,song and dance,ballad and folk song.The essence of the spread of tea songs is the medium logic of development and inheritance of tea events,tea songs,tea plays and new tea songs,and media.
基金项目
2021年浙江省教育厅课题()
2022年教育部哲学社会科学研究后期资助项目(22JHQ047)
NETL
NSTL
万方数据