音乐艺术2024,Issue(1) :105-112.DOI:10.19359/j.cn31-1004/j.2024.01.009

从民族歌剧表演看民族唱法的多样化

On the Diversity of National Singing from the Perspective of National Opera Performance

雷佳
音乐艺术2024,Issue(1) :105-112.DOI:10.19359/j.cn31-1004/j.2024.01.009

从民族歌剧表演看民族唱法的多样化

On the Diversity of National Singing from the Perspective of National Opera Performance

雷佳1
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作者信息

  • 1. 中国音乐学院(北京100875)
  • 折叠

摘要

歌唱方法看似是一个技术层面的问题,但唱法的运用关乎表演者对风格的选择,关乎表演者的审美意识.对于民族歌剧表演者而言,民族声乐的创新发展就在于追求唱法的多样.作为风格不同的三部民族歌剧,以板腔体思维为主创作的歌剧《党的女儿》、以旋律化思维为主创作的歌剧《边城》、以交响性思维为主创作的歌剧《映山红》,其主要角色的塑造需要多样化的的民族唱法.

Abstract

The method of singing seems to be a technical problem,but its application is related to the choice of style and aesthetic consciousness of performers.For national opera performers,the innovation and development of national vocal music lies in the pursuit of diversification of singing methods.The operas The Daughter of the Party,The Border Town,and Azalea,which are composed respectively of metrical-change-form(ban-qiang-ti)thinking,melody thinking and symphonic thinking,are three national operas with different styles.The shaping of their protagonists require diverse national singing methods.

关键词

民族歌剧/民族唱法/多样化

Key words

national opera/national singing/diversification

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基金项目

2023年度国家社科基金艺术学一般项目(23BD056)

出版年

2024
音乐艺术
上海音乐学院

音乐艺术

CSSCICHSSCD北大核心
ISSN:1000-4270
参考文献量3
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