音乐艺术2024,Issue(1) :126-138.DOI:10.19359/j.cn31-1004/j.2024.01.011

西方曲式理论的新近发展及其启示

Western Musical Form Theory:Recent Development and Its Revelation

王翠华 王中余
音乐艺术2024,Issue(1) :126-138.DOI:10.19359/j.cn31-1004/j.2024.01.011

西方曲式理论的新近发展及其启示

Western Musical Form Theory:Recent Development and Its Revelation

王翠华 1王中余2
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作者信息

  • 1. 合肥师范学院(合肥230001)
  • 2. 上海音乐学院音乐艺术研究院(上海200031)
  • 折叠

摘要

自20世纪60年代以来,西方曲式理论发展迅速.为弥补教科书式的曲式理论之不足,西方理论家力图对其进行改进和重构,或摒弃既有观念提出全新的曲式见解,并采用相互接力或并行发展的方式,不断推动曲式理论发展.在西方新的曲式理论和方法启示下,中国的曲式理论也呈现出对既有理论的质疑与挑战、对理论话语体系构建的强调、形成多样性方法与优化的理论建构思维、拥有丰富的作品资源和深度分析,以及理论家之间的互相承认与借鉴.

Abstract

The theory of western musical form has developed rapidly since the 1960s.In order to make up for the deficiency of the musical form theory in the textbooks,western theorists try to improve and reconstruct it,or abandon the existing ideas and put forward a new view of musical form.They use such ways as mutual relay or parallel development of the way,and constantly promote the development of musical form theory.Inspired by the new theory and method of musical form in the West,the theory of musical form in China also presents doubts and challenges to the existing theory.They also emphasize on the construction of theoretical discourse system,diverse methods and optimized theory construction thinking,rich work resources and in-depth analysis,as well as mutual recognition and reference between theorists.

关键词

曲式理论/曲式学科/西方/中国

Key words

theory of musical form/discipline of musical form/the West/China

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基金项目

2018年国家社科基金艺术学一般项目(18BD055)

出版年

2024
音乐艺术
上海音乐学院

音乐艺术

CSSCICHSSCD北大核心
ISSN:1000-4270
参考文献量39
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