歌剧艺术的"沉浸"与"幻觉"
"Immersion"and"Hallucination"in Opera Art
杨曦1
作者信息
- 1. 西安音乐学院;上海戏剧学院;纽约大学(上海200040)
- 折叠
摘要
歌剧是古典艺术的典范.随着科技的不断发展,歌剧也不得不寻找新的表达方式,其中虚拟艺术性中所特有的"沉浸"与"幻觉"就是当代歌剧尝试探索的新样貌.但循着图像艺术的历史脉络不难发现,歌剧与生俱来地在幻觉中延展,因此今天"虚拟""沉浸""幻觉"在歌剧中的出现,都可视为必然.但科技只能助力和加持艺术,而不能替代艺术,故将"沉浸"与"幻觉"引入歌剧也只是当下歌剧创演诸多创新思维中的一种.
Abstract
Opera was once a model of classical art.But with the development of technology,opera has also had to find new ways of theatrical expression.The unique"immersion"and"hallucination"in virtual art is a new dramatic expression that contemporary opera tries to explore.But as far as the historical development of image art is concerned,opera is inherently extended in hallucination.Therefore,the appearance of virtual"immer-sion"and"hallucination"as in opera today is inevitable.But technology can only help and bless art,not replace it.The introduction of"immersion"and"hallucination"into opera as a way of dramatic expression is only one of the innovative thinking in contemporary opera.
关键词
歌剧/艺术"沉浸"/"艺术"幻觉/虚拟现实Key words
opera/immersion/hallucination/virtual reality引用本文复制引用
基金项目
上海戏剧学院专业学位博士点培育项目科研课题()
出版年
2024
NETL
NSTL
万方数据