音乐表演视域下的贝多芬晚期风格若干面向——以《A大调钢琴奏鸣曲》(Op.101)为例
Aspects of Beethoven's Late Style from the Perspective of Music Performance——A Case Study of the Sonata in A Major(Op.101)
陆平1
作者信息
摘要
晚期风格是贝多芬研究领域的重要话题,其中"结构的重建""技法的重拾""乐思的重塑"等具体手法折射出贝多芬晚期风格的若干面向."音乐表演"有其自身的视域属性,故可以站在其独特立场观察作曲家、作品、表演者和聆听者之间的深层次关系,并借助手稿、乐谱、录音、乐器等介质与现有研究成果形成共振效应,以此揭示贝多芬晚期风格的艺术价值.
Abstract
Beethoven's late style is an important topic in the study of Beethoven,among which"the recon-struction of structure,""the restoration of technique"and"the remodeling of music thought"all reflect some aspects of the late-period Beethoven."Music performance"has its own visual attribute,which can be used to observe the composer,his compositions,performers and listeners from an individual perspective.Works,performers and listeners of the deep-seated relationship between,and with the help of manuscripts,music,recordings,musical instruments and other media and existing research results,all help to form a resonance effect,in order to reveal the artistic value of Beethoven's late style.
关键词
音乐表演/贝多芬/晚期风格/《A大调钢琴奏鸣曲》/二度创作Key words
music performance/Beethoven/late style/Piano Sonata in A major,Op.101/recreation引用本文复制引用
基金项目
2023年度上海音乐学院校级科研项目(2023XJ2D03)
出版年
2024
NETL
NSTL
万方数据