首页|从日本唐传乐谱看节奏节拍符号的演变

从日本唐传乐谱看节奏节拍符号的演变

The Evolution of Chinese and Japanese Rhythm and Meter Symbols as Reflected in Japanese Tablatures from the Tang Dynasty

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日本唐传乐谱虽经历"平安朝乐制改革"的整合、改编和再创造,但其节奏、节拍符号仍具有承前启后的历时性特点.其中:节奏符号承自唐代谱式,后趋于简化,最终与演奏法融为一体;节拍符号上承《敦煌乐谱》并被赋予鼓谱的含义,在当今活态音乐中演变为"板眼".日本唐乐古谱上承唐代谱式,下衔西安鼓乐、福建南音等活态乐谱,其蕴含的内在逻辑与中国传统乐谱体系脉脉相通,对其符号的解读破译,能补充中国乐谱体系从燕乐半字谱到工尺谱演变进程中所缺失的环节.
Japanese music tablatures coming from Tang Dynasty experienced the"reform of music system in Heian period."However,its meter and rhythmic symbols still have the diachronic characteristics of connecting the past with the future.Its rhythm symbols inherited from the Tang Dynasty,and then tended to be simplified,and finally merged with the performance method.The beat symbol inherited the Dunhuang Music Scores and is endowed with the meaning of drum score,which has evolved into"down-up beats patterns"in contemporary existing music performance.The Japanese ancient notation from Tang music inherited the notation form of the Tang Dynasty and carried on the living music scores of Xi'an drum music and Fujian nanyin(southern sound),with inherent inner logic of the ancient notation and in close connection with the traditional Chinese music score system,which was a missing link in the evolution from the Yan Music(half character notation for entertainment music)to the Gong notation system.

Yanyue banzipu(Notation with seven half Chinese character as pitches for entertainment music)Ancient music scores of Tang DynastyRhythmic symbolsBeat symbols

陈文革、汤兆懿

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河南大学中国传统音乐研究所(开封 475000)

河南大学音乐学院(开封475000)

燕乐半字谱 唐乐古谱 节奏符号 节拍符号

国家社会科学基金艺术学重大项目(2021)教育部人文社会科学研究项目河南省社会科学规划项目(2022)

21ZD182022BYS010

2024

10.19359/j.cn31-1004/j.2024.02.002

音乐艺术
上海音乐学院

音乐艺术

CSSCICHSSCD北大核心
ISSN：1000-4270
年,卷(期)：2024.(2)
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