日野资矩本《龙笛要录》所收两首《武德乐》之比较
Comparison of the Two Butoku raku Pieces Collected in Hino Sukenori's Version of Ryūteki yōroku
严薇1
作者信息
- 1. 中国音乐学院中国乐派研究院;中国音乐研究基地(北京100021)
- 折叠
摘要
日本唐乐曲《武德乐》收录于《三五要录》《仁智要录》《类筝治要》《龙笛要录》等多部日本唐乐古谱中,其中《龙笛要录》收有壹越调、双调两调的《武德乐》.《武德乐》最晚于醍醐帝时已传入日本,《龙笛要录》所收两谱的谱字使用情况表明,将两曲所用的吕旋音阶视为清商音阶的宫调式更为合理,而双调渡物比壹越调原曲高纯四度,并完整保留了原调骨干音.对这两首同名异调的《武德乐》进行比较分析,可为研究中日文化交流及东亚汉文化圈的形成和发展提供实证案例.
Abstract
The Japanese Tang music Butoku raku is included in many tablatures of Tang Dynasty,such as in Sango yōruko,Ryūteki yōroku,and so on.This piece was introduced into Japan in the reign of Emperor Daigo at the latest.A comparative analysis of such two pieces with the same title,touching on scale,mode,tone,pitch,yet with different tunes,will provide a case for the study of Sino-Japanese cultural exchanges and the formation and development of the East Asian Han Cultural Circle.
关键词
《武德乐》/《龙笛要录》/壹越调/双调Key words
Butoku raku/Ryūteki yōroku/Ichikotsu chō/sōjō引用本文复制引用
基金项目
国家社会科学基金艺术学项目(2019)(19BD061)
出版年
2024
NETL
NSTL
万方数据