首页|贾国平民乐作品的音响思维探析——从音响思维在中国的根源与传统谈起

贾国平民乐作品的音响思维探析——从音响思维在中国的根源与传统谈起

An Analysis of the Sound Thinking in JIA Guoping's Music for Chinese Instruments-On the Origin and Tradition of Acoustic Thinking in China

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音响思维是贾国平在创作中一以贯之的观念.1999年至此后的20年中,其创作了 15部与民乐相关的作品.尽管这些作品受其在德国留学期间所接触观念的影响,但作品所呈现的音响仍与中国传统文化紧密相连,究其根本,民乐的音响受汉语影响.民乐作品是作曲家生命情感的流露,无论是单件乐器、同组异组乐器叠加、打击乐器的音响呈现,还是意象生成与中正观念的表达,都显示出在传承中国优秀传统文化过程中,作曲家独特的艺术思考与个性化的音乐表达.
Acoustic thinking is a consistent concept in Jia Guoping's creation in his 15 Chinese instruments music related works.Although these works are influenced by the concepts that the composer came into contact with during his study in Germany,the acoustics presented in these works are closely related to Chinese traditional culture,thanks in the final analysis to the acoustical features of Chinese instruments music and Chinese language.These Chinese instruments music works,whether it is a single instrument,or the superposition of instruments of the same groups or different groups,or the sound presentation of percussion instruments,are not only the expression of the composer's life emotion,but also a kind of"imagery"and"fair and honest"concept.The expression of the concepts show the unique thinking and personalized music expression in the inheritance of the excellent Chinese traditional culture.

traditional cultureJia GuopingChinese instruments musicacoustical thinking

陈玲俐

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四川音乐学院作曲系(成都610021)

传统文化 贾国平 民乐作品 音响思维

国家社会科学基金重大项目(2022)

22&ZD037

2024

音乐艺术
上海音乐学院

音乐艺术

CSSCICHSSCD北大核心
ISSN:1000-4270
年,卷(期):2024.(3)