歌剧现代制作的符号化倾向——以策姆林斯基独幕歌剧《侏儒》三个版本为例
The Symbolization Tendency of Modern Opera Production——A Case Study of the Three Versions of Zemlinsky's One-Act Opera Der Zwerg
李晶1
作者信息
- 1. 浙江师范大学艺术学院(金华321004)
- 折叠
摘要
经典歌剧的"现代制作"已成为歌剧表演、歌剧评论和接受史不能回避的重要问题,值得从学理层面进行思考.近年来西方对经典歌剧的制作呈现出符号化倾向,或许可以成为解决歌剧"现代制作"问题的方案.以策姆林斯基的独幕歌剧《侏儒》为例,其三个版本都运用了剧中标志性的符号,并在舞台上呈现,建构起音乐与戏剧、舞台与表演之间的逻辑关联,最终形成令人信服的舞台诠释方案.符号化的制作方式注入更多个性化创造,突出戏剧与音乐中的符号意义,并由此关联到歌剧的表演,引导观众去联想符号背后的寓意,进而深化对作品的理解,引领其进入深层次精神体验.
Abstract
The modern production of classical opera has become an unavoidable problem in the history of opera's performance,criticism and acceptance.The tendency of symbolization in modern production of western classical opera in recent years is a typical problem worth discussing.This is the case with the modern production of Zemlinsky's one-act opera Der Zwerg(The Dwarf),in which iconic symbols are used in all its three versions,thus a logical link arises between music and theatre,stage and performance,and ultimately a convincing stage interpretation.Symbolic production is led into more personalized creation,highlighting the symbolic meaning of the drama and its music,and thus linked to its performance,leading the audience into a deep spiritual experience.
关键词
歌剧制作/策姆林斯基/歌剧《侏儒》/符号化/歌剧表演Key words
opera production/Zemlinsky/Der Zwerg(The Dwarf)/symbolization/opera performance引用本文复制引用
基金项目
国家社会科学基金艺术学项目(2023)(23BD067)
出版年
2024
NETL
NSTL
万方数据