扬州教育学院学报2024,Vol.42Issue(1) :7-11.

文艺复兴时期悲剧艺术的审美特征

Aesthetic Characteristics of the Renaissance Tragic Art

上官文金
扬州教育学院学报2024,Vol.42Issue(1) :7-11.

文艺复兴时期悲剧艺术的审美特征

Aesthetic Characteristics of the Renaissance Tragic Art

上官文金1
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作者信息

  • 1. 四川师范大学,四川成都 610068
  • 折叠

摘要

探讨文艺复兴时期的悲剧艺术,可立足从文本悲剧到文化悲剧的悲剧美学史观,既关注其"亚里士多德主义"的倾向,又注意其对"人本主义"时代特征的揭示.着眼文艺复兴在西方悲剧史中的过渡地位,发掘其悲剧艺术的审美特征,即以"扩宽现实维度与容纳虚构艺术"为主的悲剧情节,以"性格色彩的重视与性别选择的出现"为主的悲剧人物,以"关注大众群体与追求道德功用"为主的悲剧效果.

Abstract

This paper studies the Renaissance tragic art from the historical view of tragedy aesthetics from text trage-dy to culture tragedy,paying attention to its Aristotelianism tendency as well as its humanistic characteristics.Focu-sing on the transitional position of the Renaissance in the history of the Western tragedy,this paper explores the aes-thetic characteristics of the Renaissance tragic art,i.e.,the tragic plot of"expanding the reality and encompassing the fictional art";the tragic characters of personality features and gender selection;and the tragic effect of"concern for the masses and the pursuit of moral function".

关键词

文艺复兴/悲剧/亚里士多德/人本主义/审美特征

Key words

the Renaissance/tragedy/Aristotle/humanism/aesthetic characteristics

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出版年

2024
扬州教育学院学报
扬州教育学院

扬州教育学院学报

影响因子:0.313
ISSN:1008-6536
参考文献量13
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